It seems like that time-slip is K-Drama’s favourite plot this year. After the success of last year’s ‘Signal’, several dramas soon following its step and use the same concept with different themes. Earlier this year we have ‘Tomorrow With You’ (which slightly reminds me of ‘The Time Traveler’s Wife’), a fantasy wrapped in a love story. And then there is also ‘Chicago Typewriter’, which relies on political history to be its background as well as part of its plot, though it’s not exactly a time-slip drama. I guess this trend won’t end any time soon as several upcoming dramas have revealed that they will also be using the time-slip plot, like ‘Deserving The Name’.
Using a familiar plot or theme is not an uncommon practice as plagiarism is unfortunately still prevalent in South Korea. From little observation I did of the K-entertainment industry, what usually happens is that they “borrow” other work’s ideas and than recreate it into new works, which then makes it morally vague to be called plagiarism.
Take ‘New World’ for example. It is South Korea’s take on the classic ‘police-triad moles in both organisations’ theme, popularised by Hong Kong’s ‘Infernal Affairs’ and later remade by Hollywood’s ‘The Departed’. Does it bring anything new to the equation? Nope. Does it do this formula well? Yep. Way better than the over-hyped Hollywood version even, I’d say.
Or ‘My Palpitating Life (My Brilliant Life)’ (2014) which I can’t help but be reminded of ‘The Curious Case of Benjamin Button’ (2008). My Brilliant Life was based on Kim Ae Ran’s 2011 novel of the same name, while Button was loosely based on the 1922 short story of the same name by F. Scott Fitzgerald.
Now on with Tunnel. I once said when talking about ‘Marriage Contract’ that “not bringing anything new to the table doesn’t mean that something will instantly fail. Sometimes it’s a matter of execution,” and this is also the case with Tunnel (as also with ‘New World’).
Tunnel is the latest drama to draw its inspiration from the “Hwaseong Serial Murders”, proceeded by Bong Joon Ho’s masterpiece, ‘Memories of Murder’ (2003); Jung Byung Gil’s ‘Confession of Murder’ (2012); and tvN’s ‘Gap Dong’ (2014) and ‘Signal’ (2016). It was accused of alleged similarities with ‘Signal’, not to mention that the story also revolves around detective life, but if we look at it closely, looks like it might be a combination of ‘Gap Dong’ and ‘Signal’’s plots and characters.
In Tunnel, “Detective Park Gwang Ho (Choi Jin Hyuk) desperately tries to catch a serial killer in 1986. He chases after the serial killer and goes through a tunnel. On the other side of the tunnel, Detective Park Gwang Ho finds himself in the year 2017. The serial killer has resumed the killings that began 30 years ago. Detective Park Gwang Ho works with Detective Kim Sun Jae (Yoon Hyun Min) and Professor of Criminal Psychology Shin Jae Yi (Lee Yoo Young) to catch the killer.” [Asianwiki]
While in ‘Gap Dong’, “Moo Yeom’s (Yoon Sang Hyun) father was a suspect in the “Gap Dong” serial murder case. Because of the detectives’ oppressive investigation, Moo Yeom’s father killed himself. 17 years later, Moo Yeom is a police detective who spends his career chasing dead ends and helping juvenile delinquents. After the statute of limitations on the case expires, Moo Yeom becomes resigned to the belief that Gap Dong is dead. But then a series of incidents occur in the town that bear an eerie resemblance to Gap Dong’s crimes. Yang Cheol Gon (Sung Dong Il), who was a police inspector at the time of the original murders now a well-decorated officer, has recently transferred back to Iltan, and to his dismay, Moo Yeom joins his investigation team to catch Gap Dong once and for all.” [Asianwiki and Wikipedia]
I haven’t watched ‘Gap Dong’ so I can’t be firmly sure in comparing both dramas (and I don’t intend to watch it in the near future yet), but from the synopsis alone, I guess I can say that there are three characters in Tunnel who seemingly are the development of Gap Dong’s characters, and they are:
- Park Gwang Ho (Choi Jin Hyuk) = Yang Cheol Gon (Sung Dong Il)
- Kim Sun Jae (Yoon Hyun Min) = Moo Yeom’s (Yoon Sang Hyun)
- Shin Jae Yi (Lee Yoo Young) = Maria Oh (Kim Min Jung)
I also found a few similarities in the plot twists which I’m not going to reveal since spoilers might ruin the thrilling sensation of watching those detectives attempts in unraveling cold cases.
So is it original? No. Is it plagiarism? Grey area. Does it work? Very well, indeed.
Tunnel’s strength is definitely its solid story development. It is neat and intense as each episode almost always ends with an unpredictable twist. Sure, it’s not as intricate and as multifaceted as ‘Signal’, but every episode is as carefully planned to keep the revelations suspenseful from beginning to the end. While ‘Signal’ also touched the social and politics subjects, Tunnel chose to stay true to its crime-fantasy path.
There are of course some flaws and loose ends like how the drama fails to maintain the consistency of Park Gwang Ho’s time-leap formula. The three lead actors, though are good, sometimes do come across a little theatrical, especially Lee Yoo Young with her doll-like wide-eyed flat expression. Yes, she was supposed to have that cold exterior look to her, but it’s just too predictable and one dimensional. Same case with Choi Jin Hyuk & Yoon Hyun Min’s all dense and steely personae, though Choi’s gesture as a father when he suddenly found out about it is quite commendable.
Though the chemistry and dynamics between the two main leads are undeniably charming (Gong Yoo – Lee Dong Wook successors FTW!), it is Kim Min Sang who plays Mok Jin Woo that captivates me the most. He brilliantly evolves from a nice guy and a detailed forensic expert into one creepy psychopath killer.
All and all, Tunnel is a very well-crafted drama that will glue eyes to the screen despite bringing nothing new to the table.