2016 had been a year of K-drama for me. Of the 137 K-dramas aired in 2016, I gave in to 33 of it. Thirty three… that’s like… a huge waste of time *sigh* I feel I missed one drama still, Memory. I’ll probably watch it sometime soon.
[Update] “Memory” is a nice drama. Both Lee Sung Min and Junho did deliver, but the drama is definitely not as solid as other tvN’s dramas will be mentioned in the list.
Mostly popular for its romantic comedy clichés, tragic melodrama or over-the-top family conflicts and never ending feuds, much like its counterpart in the cinema world, K-drama is at its best when it touches subjects with sincerity and genuineness (that of course applies to basically any kind of work of arts).
Of the 137 K-dramas, I passed the daily and weekend dramas which are mostly equal to our daily sinetron. Think of dreading love story which includes conquering abusive mother-in-law’s (to her daughter-in-law) love, betrayal, all sorts of illnesses, from sudden nosebleed to amnesia you name it, the daily and weekend dramas have them all. But once in a blue moon there’s family drama like “Five Enough” which is just sweet and simple (still with a bit of touch of silly and unreasonable but tolerable conflicts, of course) like the good ol’ TVRI’s family dramas.
2016, for me, belongs to Jo Jin Woong. Underrated oftentimes and mostly played supporting roles, 2016 finally saw Jo in two strong leading roles. Early in 2016, Jo played an upright and morally conscious but heartbroken Detective Lee Jae Han in Signal and in the second half of 2016 he came back to small screen transforming into an uptight and ambitious, rough-spoken but a soft-hearted family American television series’ Entourage. And in between, he starred in the highly anticipated and critically acclaimed “The Handmaiden”, a Park Chan Wook’s mesmerising erotic fantasy/thriller.
So I guess it’s only fitting to start this list with one of the dramas he starred in this year, Signal.